You want to see the most beautiful thing I've ever filmed?
It was one of those days where it a minute away from snowing and there's this electricity in the air. You almost hear it. Right? And this bag was just dancing with me. Like a little kid, begging me to play with it. For 15 minutes. That's the day I realized that there was this entire life behind things and this incredibly benevolent force that wanted me to know that there was no reason to be afraid, ever. Video's a poor excuse, I know. But it helps me remember. I need to remember. Sometimes there is so much beauty in the world. I feel like I can't take it. And my heart is just going to cave in.
你想看我拍过最美的事吗？

来来回回看了三次才看完，很平静的震撼。没法去注意电影的视听语言，只剩下完全的一个观者在被触动。刚看到以前的一个旧帖，有人说看好莱坞其实是满足一种恋物癖，我同意，也许我对《American Beauty》的这种感情就是出于惯性的恋物癖被满足的快感。

但是很奇怪，是这么的平静，不同于第一次看《8又1/2》，看《飞向太空》时几乎要控制不住的热泪盈眶，那时我确信在一瞬间的闪光中看到了内心的模样。

我爱最后Lester Burnham回忆里那些黑白的影像，想到了自己以前。中学，每天只说三句话的日子，清晨去上早自习的路上寂寥的街道，一群五色斑斓的狗呼啸而过，清冷空气下美丽闪光的星空，记忆里剩下的伤感的碎片。把《故都的秋》读了无数遍，坐着藤椅想象孟浩然的田园，那时是不快乐的，也是平静的，最好的状态。就象看Ricky拍的那个塑料袋，那也是我曾见到的美啊，在秋天的一棵枯树边，树上还挂着一只干枯的死猫。

《美国丽人》《美国美人》中的色彩运用
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