感叹小说与现实的差距，简的妈妈一语成谶。
作为傲慢与偏见的死忠粉，这部影片到处是傲慢与偏见的影子，乡村，父亲与母亲，舞会，女主角与男主角的初遇……正因为简那么像伊丽莎白，所以观影时让人看着看着就想起达西，摆脱不了将男主与达西作比较，比着比着就对男主失望，所以，我是从傲慢与偏见里走不出来的观众。抱歉那么多的奖。

如果没有当初不想独占而让他卸掉责任的突然理智，又怎么会有最后一幕的伤感与美好。
如果没有冲动时对彼此海阔天空的放手成全，他何以成为这样的他，她又何以成为这样的她。
并不是只有激情迸发时弃世孤行的爱情才最真挚可贵，若把世界逼堵到只容两个人立足，结局也许早已违背当时初衷。
像这样，他把女儿以她的名字命名，她把幸福都圆满进了小说。爱，带着观望般的珍重，永远都不会厌倦和衰灭，融漾在淡淡的牵念和遗憾之间，绵长了一生。
英伦影片的质朴和田园。喜欢的时代，喜欢的传记，喜欢的演员和喜欢的爱情。

Between Sense & Sensibility and Pride & Prejudice was a life worth writing about. It's a Jane's story with an Austen style. Pride,prejudice,sense,sensibility,independence, love, wealth,responsibility and unexpectedness, those are what we might and have to face and accept in our short life. That's the Austen way of life, independent, bold, unconstrained ,emotional,unchangeable, but still beautiful like flowing rhythm. When Cassandra asked Jane how her two-young-woman story ,"Badly.","It gets worse.", and "They both make triumphant, happy endings.",she answered , just an opposite reflection of her love; That's ironic however contained her beautiful wishes.

“成为简·奥斯汀”紧凑！成为那个桀骜不驯的女人
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