Jerry Schatzberg (born June 26, 1927 in Bronx, New York) is a photographer and film director. He photographed for magazines such as Vogue, Esquire and McCalls. He made his debut as a feature film director with 1970's Puzzle of a Downfall Child starring Faye Dunaway. He went on to direct films such as Scarecrow, which won the grand prize at the Cannes Film Festival in 1973, Seduction of Joe Tynan, Honeysuckle Rose with Willie Nelson, Misunderstood, Street Smart in 1987, and The Panic in Needle Park, which starred Al Pacino.［1］
He was a member of the jury at the Cannes Film Festival in 2004.
As a still photographer, one of Schatzberg's most famous images was the cover photo of the Bob Dylan album Blonde on Blonde, released in 1966. A collection of Schatzberg's images of Dylan was published by Genesis Publications in 2006, titled Thin Wild Mercury.
同样是在路上，《稻草人》并没有“垮掉一代”的放浪形骸，从吉恩•哈克曼那个不太顺利的出场就能够看出，它甚至于有些踉跄，同时还有点儿悲情。
公路电影的特色向来是过程中的未知，它可能会是《摩托日记》中格瓦拉的精神蜕变，也可能是《末路狂花》里女性的自我解放。通常它的前路会愈发的明朗，像是不断奔跑的阿甘最终证明了自己的价值，可《稻草人》这部影片有些反其道而行，随着两位男主角旅程里数的增加，他们心中的目的地却逐渐模糊起来。
Max的梦想是去匹兹堡发展洗车生意，至于为什么是匹兹堡，他自己也说不清楚，就像你今天的减肥计划是转1000下呼啦圈，1000这个数字只是一个心理预设，毕竟越具体的计划越容易达成，至少看上去是这样。Max的笔记本上密密麻麻地罗列着洗车的支出明细，他喜欢跟人大谈特谈自己的事业规划，即便大多时候听者根本无心，可在Max看来，他在小账本上的野心勃勃就像是一张兑换未来的支票。
Leon在事业上并没有什么企图心，结束了多年的海员生活，在踏上陆地的那一刻Leon只想去底特律见见自己的亲生骨肉
“稻草人”阿尔的伟大演技！！！！
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